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Introduction by: Jamie Brisick
Preface by: Iñigo Urdinaga
Essay by: Margaret Cohen
Surfers’ Blood, the latest monograph from award-winning surf photographer and filmmaker Patrick Trefz, is a survey of decades spent photographing the lifestyles and bloodlines of surf culture across the globe. Surfers’ Blood captures all the diverse elements that make surfing so gripping and that helped it maintain its vitality in the popular consciousness for generations. A beautiful collection of oceanscapes, portraits, and action shots, Trefz captures the most intense, glamorous, and frightening aspects of surfing along with moments of beauty, stillness, and serenity. The book juxtaposes world champions and unsung local heroes, monster waves and gentle rollers.
Surfing is all about mankind’s intimate connection with the badass energy and beauty of nature. It is a deep bond, and for many surfing is a lifelong devotion and a spiritual outlet—a personal experience far removed from its much-hyped and commercialized public persona. Surfing is deeper than magazines and Hollywood depictions would lead us to believe—much deeper. For most surfers, surfing is in their blood and it connects them to an extended family that is linked through practice, tradition, craft, emulation, apprenticeship, and shared experience. Surfers’ Blood reaches out to those hardcore, dyed-in-the-wool surfers through an honest and beautiful portrayal of their sport and its surrounding culture, while at the same time offering outsiders a peek into the intense undiluted world of surf.
Patrick Trefz was born in the industrial city of Dusseldorf, Germany and currently lives and works in Santa Cruz, California. Patrick is an award winning art, documentary, and action photographer and filmmaker. He has worked internationally with publications including Surfer, Big, Geo, and The New York Times, and is the author of Santa Cruz: Visions of Surf City (SolidPublishing, 2002) and Thread (powerHouse, 2009). He has also directed multiple music videos and shorts, as well as two feature-length documentary films, Thread (2007) and Idiosyncrasies (2010).
Jamie Brisick’s books include Becoming Westerly: Surf Champion Peter Drouyn’s Transformation into Westerly Windina, Roman & Williams: Things We Made, We Approach Our Martinis With Such High Expectations, Have Board, Will Travel: The Definitive History of Surf, Skate, and Snow, and The Eighties at Echo Beach. His writings and photographs have appeared in The New Yorker, The Surfer’s Journal, The New York Times, and The Guardian. He was the editor of Surfing magazine from 1998-2000, and is presently the global editor of Huck. In 2008 he was awarded a Fulbright Fellowship. He lives in Los Angeles.