Aaron Siskind 100

by Aaron Siskind

$ 350

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ISBN: 9781576871942

by Aaron Siskind

Photography / Art
Clothbound with tip-on
10 x 13.25 inches
176 pages
104 tritone photographs
ISBN: 978-1-57687-194-2
by Aaron Siskind

Photography / Art
Clothbound with tip-on
10 x 13.25 inches
176 pages
104 tritone photographs
ISBN: 978-1-57687-194-2

One of the most important and influential artists working with photography during the twentieth century, Aaron Siskind is being celebrated on the occasion of his 100th birthday with the publication of this elegant and comprehensive monograph, bringing together both well-known and never-before-published images. Siskind’s prolific career spanned six decades and left its mark on both photography and painting.

In 1932, at age twenty-nine, Siskind began his career as a photographer and spent the next nine years under the auspices of the New York Photo League working on social documentary photography. Around 1940, Siskind made a shift toward abstraction and entered an art world populated by painters and sculptors. During the course of the decade, Siskind began to explore a vision that depended on the shallow plane, and utilized delicate, minimal designs. “For the first time in my life subject matter, as such, had ceased to be of primary importance,” Siskind explained. “Instead I found myself involved in the relationships of these objects, so much so that the pictures turned out to be deeply moving and personal experiences.” The photograph had become the object.

Siskind’s style of gesture and nuance, a new form of visual calligraphy, dominated his work for the next forty years, and ran parallel to the developments of his colleagues, the abstract expressionists. Siskind was not only a critical figure in modern photography, but he also influenced the work of painters of that period, including Willem De Kooning, Franz Kline, and Robert Rauschenberg. Aaron Siskind 100, the book and exhibition, honors the legacy of this legendary artist through six decades of an incredible photographic journey.

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